This project draws direct inspiration from several of Herbert Bayer’s pioneering works, particularly his visionary approach to spatial design and visual communication. His ability to dissolve the boundaries between architecture, typography, and motion deeply informed my process. Bayer didn’t treat design as a static arrangement but as a dynamic system—where elements unfold across space and time, guiding perception with intention and clarity. His experiments with layered perspectives, directional flow, and immersive environments have shaped how I’ve approached the structure and animation of this section. By translating his principles into a digital context, I aim to echo his concept of design as choreography—where layout, movement, and narrative are seamlessly integrated to engage the viewer both visually and experientially.